A 1987 issue of Musician featuring an article on “The Real Replacements.”
Opening spread of 1987 article on The Replacements.
Digging through my archives, I found a July 1987 issue of Musician magazine, featuring an article on our beloved ’Mats by Bill Flanagan. I wanted to share the damn thing because it’s been collecting dust AND it marks some key changes for the band:
The release of Pleased to Meet Me: “The Replacements’ shot at the big time,” says Flanagan.
Bob’s departure: “It’s tough,” Westerberg concedes. “Tommy wanted to see Bob straighten up, but he wasn’t and he wouldn’t and he’s gone.”
Slim joining the band: “The reason I wanted Slim in the band was to replace my brother. We couldn’t have some guy from L.A. with hair down to his butt come in. It had to be someone I liked,” says Tommy.
Flanagan visited the ’Mats in Minneapolis, just after they infamously threw the Twin/Tone tapes of their early albums in the Mississippi River. The overall tone of the article is intimate, a little dark, but also funny and raucous. Hey, kinda like the band themselves!
“Older, cleaner, still fun.” “Self-destructive…unruly as ever.” “Beautifully ramshackle.” These are just some of the recent media headlines coming out of the ’Mats show in San Francisco. My vote: the last one. Spot on! Of course, I still can’t get the Portland show outta my…
Epic. It’s a word that gets tossed around a lot, to the point that it loses it’s meaning. But I think the use is appropriate here—in reference to the above clips from the April 10 Portland show. I’ll save the analysis for the music critics….
Teaser clip video released just before they launched their 2013 fest tour. What’s your favorite song by The ’Mats? It’s not easy to choose, is it? There are so many good ones. A great piece just came out from The Guardian, part of their “10…
In fact, some would say the party’s just beginning…bring your own lampshade to Friday’s show in Portland!
So, I got the above record after a screening of the film “Color Me Obsessed” a while back (thank you Jackpot Records). It’s so f’in great, I don’t even know where to begin. The only other ’Mats I have on vinyl is Tim (from my father-in-law, more on that in another post) and the Songs for Slim LP. The rest of the ’ole collection is on cassette and yes, they still work!
Why is this record so special? Evidently, it was limited to a pressing of 400, and features outtakes from their early recordings (duh!). This one is on blue vinyl, but I’ve seen it online in red/hot pink too. Why you need this record:
Arguably the best track on the damn thing is “If You Get Married,” mainly ’cuz you can’t find that song anywhere else. It’s tender, poignant and still has balls. Also, I AM a girl, and love it when Paul wears his heart on his sleeve. But I digress.
Please note: this album was not produced by ALEX CHILTON.
What a great cover. There’s the band, in all their ragged glory.
I bought this issue of Musician magazine in 1989, as soon as it came out. Years later, I learned that Jon Bon Jovi wrote a letter to Musician, asking, “How can the Replacements be the best band of the 80s when I’ve never even heard of them?”
Jon — you answered your own question, ya knob! Go fuck yourself.
But seriously now, this cover story remains significant as it tells the band’s coming of age story—from their early days in the Minneapolis punk/hardcore “scene” to “Professional whats, I don‘t know,” as Paul quips during the interview. I’ve read this story about 50 times, and with each read I learn something new. And I still love staring at that photo of Tommy “shootin’ dirty pool.”
It also marks a turning point for the band. When this issue came out, Don’t Tell a Soul just hit the racks. The Replacements were seemingly on the verge, and this article served to give them a push. Too bad it didn’t work. Or is it?
Coming soon, scans of the full article, so you can actually read the damn thing.
There are many incarnations of The Replacements. There are also many opinions as to which incarnation is the greatest.
I’ll be honest—it depends on my mood.
Today, what I really needed was plenty of thrash, with a little rockabilly and attitude thrown in. That means the original incarnation in their humble beginning. ’81 ’Mats, courtesy of Twin/Tone (twintonedigital on YouTube).
“During the first week of September 1981, Twin/Tone took the mobile recording unit and rented a bunch of video gear and recorded 15 bands live (five nights) at the 7th Street Entry in Minneapolis. These clips are presented as they were recorded live… in set order and very much with the tuning that troubled the night. The Replacements were the middle band of three (Husker Du closed the show) and played two 25 minute sets,” is the official statement on their YT channel.
What I’ve always loved about this footage is just how well it captures the ’Mats raucous spirit. Tommy is like, 14; Bob’s playing is solid and dangerous, Chris is a snarling drum MACHINE (that’s not a dis) and baby-faced Paul is sweating, screaming and still seems gentle somehow.
Favorite cuts: part 3 kicks off with “Johnny’s Gonna Die,” arguably the best track on Sorry Ma…just listen to Paul scream! A while later, they cover “Maybelline.” And don’t miss “I Hate Music,” another gem. Does it get any better than this?
Click on the video above to start watching the entire six-part series. Kudos to Twin/Tone for recording all this, and for sharing it!
“What the hell are we doin’ here?” Paul asks as he and the band launch into Talent Show at the 1989 International Rock Awards.
That’s a good question, Paul. Here’s another Q: what the hell are the International Rock Awards? The name reminds me of the Simpsons episode, “Brother, Can You Spare Two Dimes?” You know, the one in which Homer wins the “First Annual Montgomery Burns Award for Outstanding Achievement in the Field of Excellence.”
This performance is pure ’Mats for many other reasons:
They’re playing Talent Show at an awards show.
Tommy is cracking up at 0:39.
Paul sticks his tongue out during the camera close-up.
At 0:56 they just fucking take off (we’ll show YOU!).
The lyric “we’re feelin’ good from the pills we took” is censored.
Paul changes the lyric, “it’s too late to turn back, here we go!” to “it’s too late to take pills, here we go!”
Check out the actor Matt Dillon at 3:22 whistling.
I was 15. The year: 1989. My teen angst bullshit craved something more than The Smiths, R.E.M. or even The Violent Femmes. I could only listen to my mom’s early Kinks and Chess blues records so many times.
Enter The Replacements.
As with any meaningful music discovery, the doors were opened by the older generation. In this case, my best friend at the time’s hip, older sister (She hung out with skateboarders! She drank!) Most important—she passed along her tape of The Replacements’ Don’t Tell a Soul. I was hooked.
Obsessively, I read and reread the liner notes. I stared at the photos. Who was that person backstage wearing a work shirt, fishnets and work shoes? I wanted to be her (“You be me for awhile, and I’ll be you,” right?).
Still got it — Don’t Tell a Soul tape from 1989.
The songs rocked and rolled (“The rock’s easy, but the roll is another thing…” ― Keith Richards). My faves: Talent Show, We’ll Inherit the Earth and Anywhere’s Better Than Here. There were ballads, too. Rock ’N Roll Ghost is still a tear-jerker.
Of course, for many long-time fans, Don’t Tell A Soul was The Replacements’ “sellout” album. Totally get that. But for a 15-year-old white girl from the Chicago ’burbs, it was real, honest music — more “rock” than anything else out there at the time.
I immediately dove into The Replacements’ early albums and never looked back. That’s how my love affair with The Replacements began.
“We’ll inherit the Earth, but don’t tell anybody…”
April 10, 2015 is a big day. The Replacements play Portland, Oregon for the first time in I dunno know how long. The last time I saw them, they left the stage and had their roadies finish the set (the infamous ’91 Taste of Chicago Fourth of July show). I wept.
Fast forward 24 (?!) years, and we find what’s left of the ’Mats—Paul Westerberg and Tommy Stinson—joined by some ace replacements—Josh Freese on skins* and Dave Minehan on guitar.
Unlike many reunion tours, this one seems less about $$$ and more about just fucking playing. Both Paul and Tommy credit their dear friend and former Replacements axeman Slim Dunlap with inspiring the reunion. Dunlap suffered a stroke in 2012 and can now only speak in a whisper.
“You think you have it bad, and then you go and see him [Slim] and you go, ‘All of my troubles are insignificant.’ That’s part of the reason we got together. Not so much the making money, but for the reason that we could – we can stand, and we can play. Whether we’re good or not is irrelevant,” Westerberg recently told Daily Dish.
Funny thing—they’re good. And more relevant than ever. In fact, the general consensus since their 2013-2014 festival stint—they fucking rock.
What can we expect at the Portland show? Hopefully, it will be better than their last gig in Portland (1987!). The show was so bad that The ’Mats actually wrote a song apologizing for their bad behavior. You can listen to that countrified little ditty above.
“It’s too late to turn back, here we go/Portland, oh no…”
See you April 10, boys!
* Original drummer Chris Mars declined touring due to his successful art career, but remains supportive of the reincarnated ’Mats.